Symphony Atlas

1837–1910 · Romantic

Mily Alexeyevich Balakirev

1 work

Portrait of Mily Alexeyevich Balakirev

Balakirev was born in Nizhny Novgorod and worked in Saint Petersburg, where he gathered the group known as The Five and, in 1862, helped found the Free Music School. He was the only trained professional in the group and taught the others. From 1883 to 1895 he directed the Imperial Chapel.

His music rests on Russian folk song, which he collected and arranged, and on tunes he noted down in the Caucasus on trips from 1862. These gave him an orientalist manner. Glinka, Chopin and Liszt were his models, and in orchestral works he used German symphonic technique even though the group around him distrusted it.

Islamey, the only work of his in the catalog, was written in about a month in 1869: begun in Moscow in August, finished in Saint Petersburg in September, and revised in 1902. Its main theme came from a dance tune played by a Circassian prince; the second was given to him by an Armenian actor, who said it was well known among Crimean Tatars. Nikolai Rubinstein played it first, in December 1869.

The piece has three parts: an agitated Allegro on the main theme, a slow middle section with a new, songlike theme, and a closing Presto that brings the main theme back at full speed. Editions print easier and harder alternative passages, a sign of how demanding it is.

What to listen for

  • The agitated dance theme of the opening. Learn it first, because it returns in the closing section.
  • The slow middle section (Andantino espressivo), where a songlike second theme gives the only rest.
  • The final Presto furioso, where the main theme comes back at top speed.
  • Dance tunes instead of sonata-style melodies: listen for repetition and rhythmic drive rather than development.

Sources: Mily Balakirev (Wikipedia), Islamey (Wikipedia)

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