1685–1759 · Baroque
George Frideric Handel
3 works

Handel was born in Halle in 1685 and died in London in 1759. He worked in Hamburg from 1703, spent time in Italy from 1706, and settled in London in 1712; he became a British subject in 1727. His music joins two traditions: the German polyphonic choral tradition he grew up in and the Italian Baroque he absorbed abroad. For years he ran opera companies for London's nobility. After a physical breakdown in 1737 he turned to English choral works and shaped the English oratorio, a long sacred piece for soloists, choir and orchestra performed without staging.
Both catalog pieces use the choir with an orchestra that has trumpets and timpani. Zadok the Priest is one of four anthems he wrote for the coronation of George II in 1727, and it has been sung before the anointing at every British coronation since. Its words condense the biblical account of Solomon's anointing (1 Kings 1:34 to 45). It is in D major for choir, strings, two oboes, two bassoons, three trumpets and timpani.
The Hallelujah Chorus ends Part II of Messiah. Handel wrote the whole oratorio in London in 24 days, from 22 August to 14 September 1741, to a text Charles Jennens compiled from the Bible. It was first performed in Dublin on 13 April 1742. Because Messiah uses trumpets sparingly, their entry in the chorus stands out. The story that George II stood during the chorus at the London performance is not backed by good evidence; the earliest mention of standing is a letter of 1756.
What to listen for
- In Zadok the Priest, the orchestra begins quietly with layered string textures and then breaks into a loud entrance with the trumpets.
- The lively middle section of Zadok in triple time, where the choir sings in chords over dotted string rhythms, and the final section with quick runs on "Amen".
- In the Hallelujah Chorus, the opening in block chords on a simple recurring motif, with the word "Hallelujah" returning as a refrain between the other lines.
- A line sung in unison, then imitated between the voices; another in plain chorale style; and a fugue on a theme with bold leaps.
- The ending: a final acclamation on one repeated note, rising calls, and a tense rest before the last "Hallelujah".
Sources: George Frideric Handel (Wikipedia), Zadok the Priest (Wikipedia), Messiah (Handel) (Wikipedia), Hallelujah Chorus (Wikipedia)
