Symphony Atlas

1950– · Contemporary

Arturo Márquez

1 work

Márquez was born in 1950 in Álamos, in the Mexican state of Sonora. He studied in Mexico, then privately in Paris on a scholarship, and took a master's degree in composition at the California Institute of the Arts in 1990. His orchestral music draws on the forms and styles of Mexico. After he was introduced to Latin ballroom dancing in the 1990s he wrote a series of Danzones, based on music from Veracruz.

The danzón is a dance that began in Cuba and became part of the folklore of Veracruz, Mexico. Danzón No. 2 was written in 1994 on a commission from the Department of Musical Activities of the National Autonomous University of Mexico and dedicated to Lily Márquez. The Orquesta Filarmónica de la UNAM under Francisco Savín gave the first performance in Mexico City in March 1994. It takes about nine and a half minutes. After the Simón Bolívar Youth Orchestra under Gustavo Dudamel played it on its 2007 tour of Europe and the United States, it reached audiences worldwide.

It is mostly in 4/4 with some bars in 6/8 and 7/8, and its rhythmic interest comes from shifting accents and changes of tempo. Many instruments take solo passages: clarinet, oboe, piano, violin, double bass, horn, trumpet, flute and piccolo. The percussion adds dance colour, including claves, güiro, snare drum and three tom-toms.

What to listen for

  • Claves and güiro in the percussion, which mark the dance rhythm.
  • The solo turns passed from instrument to instrument: clarinet, oboe, piano, violin, double bass, horn, trumpet, flute and piccolo each get a moment.
  • A few bars in 6/8 and 7/8 that bend an otherwise steady 4/4.
  • Accents that shift and tempo changes that push the dance forward.

Sources: Arturo Márquez (Wikipedia), Danzón No. 2 (Wikipedia)

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