Path 12
Romantic piano
Eleven short pieces from Field to Grieg, each holding one mood.
Field → Schubert → Mendelssohn → Chopin → Schumann → Liszt → Tchaikovsky → Rachmaninoff → Brahms → Grieg
This guide follows Mendelssohn’s Songs Without Words: No. 6 in G minor, Op. 19b No. 6 “Venetian Boat Song” (1830) in one part.
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Follow all 5 sections as they play
A prelude of lapping figures in G minor sets the boat moving. In Part I a melancholy love song enters, its melody doubled in thirds and sixths. Part II is a little more broken and restless, and the song is briefly recalled. Two short sections follow, in which the lapping figures fade into darkness.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
MendelssohnRondo capriccioso in E major, Op. 14 / MWV U 67
MendelssohnSongs Without Words: No. 5 in F-sharp minor, Op. 19b No. 5
MendelssohnSongs Without Words: No. 14 in C minor, Op. 38 No. 2
MendelssohnSongs Without Words: No. 23 in A minor, Op. 53 No. 5
MendelssohnVariations sérieuses in D minor, Op. 54 / MWV U 156
MendelssohnSongs Without Words: No. 26 in B-flat major, Op. 62 No. 2
MendelssohnSongs Without Words: No. 27 in E minor, Op. 62 No. 3
MendelssohnSongs Without Words: No. 25 in G major, Op. 62 No. 1
MendelssohnSongs Without Words: No. 28 in G major, Op. 62 No. 4
MendelssohnSongs Without Words: No. 30 in A major, Op. 62 No. 6Path 12
Eleven short pieces from Field to Grieg, each holding one mood.
Field → Schubert → Mendelssohn → Chopin → Schumann → Liszt → Tchaikovsky → Rachmaninoff → Brahms → Grieg
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