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Piano Sonata No. 8 in C minor, Op. 13

“Pathétique”179820 min

This guide follows Beethoven’s Piano Sonata No. 8 in C minor, Op. 13 “Pathétique” (1798) in three parts: Grave - Allegro molto e con brio (sonata form), Adagio cantabile (rondo) and Rondo: Allegro (rondo).

Recording: Daniel Barenboim (piano)

I Grave - Allegro molto e con brio · Sonata form · 20 sections

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  1. I - e · Sonata form
  2. II · Rondo
  3. III: · Rondo
I - e Sonata form0:09–9:34

A slow, heavy opens in C minor, with sudden extremes of loud and soft and a sighing . The fast begins with the first , a rising staccato over octaves (rapid repeated notes) in the left hand. The is in E-flat minor rather than the expected major, as a call and response between bass and treble. The at the start of the , before the proper, then the starts, and the comes back a third in the before a furious ending.

  1. :
  2. :
  3. : (a)
  4. : (b)
  5. :
  6. :
  7. :
  8. : (a)
  9. : (b)
  10. :
  11. (a)
  12. (b)
  13. :
  14. :
  15. : (a)
  16. : (b)
  17. :
  18. (a)
  19. (b)
II Rondo9:36–14:46

A-flat major, 2/4. The melody (A) is a lyrical song that three times in the same , so the is a simple . After the first (B), which turns to F minor and then E-flat major, the melody . The second (C) brings sixteenth-note triplets and a darker minor- , and the final takes on those triplets in the accompaniment. A short ends the .

  1. A
  2. B
  3. A1
  4. C
  5. A2
III: Rondo15:01–19:43

A in C minor and . The (A) is closely related to the first 's , sharing its first four notes in melodic shape. It three times, with episodes in between in E-flat, A-flat and C major, and a modified version of the 's melody is heard as well. Frequent sforzando accents give the a forceful edge, and the ends the .

  1. A
  2. B
  3. A
  4. C
  5. A
  6. B
  7. A

Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.

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In the catalog

Ludwig van BeethovenPiano sonatasClassical periodC minorSonata formRondo

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