Etude in E minor, Op. 25 No. 5
This guide follows Chopin’s Etude in E minor, Op. 25 No. 5 (1834) in one part.
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0:02–3:25
A: the right-hand melody is spiked with semitone clashes in a bouncing dotted rhythm, over wide leaping arpeggios in the left hand. B: the clashes disappear. In E major and marked (more slowly), the right hand plays arpeggios with double notes while the left hand sings a sustained tune. The music grows tense, then calms before the . A, once more: the first music comes back and drives to a that ends in E major.
- A
- B
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
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