Path 09
Romantic piano
Eight short pieces from Schubert to Brahms, each holding one mood.
Schubert → Mendelssohn → Chopin → Schumann → Liszt → Rachmaninoff → Brahms
This guide follows Chopin’s Nocturne in D-flat major, Op. 27 No. 2 (1836) in one part.
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Follow all 8 sections as they play
A one- starts the rocking 6/8 accompaniment, and the singing melody (A) enters. A (B), moving in parallel thirds and sixths, follows. The pair of themes, A and B, comes back, and then once more, with the decoration growing richer each . The 16- rests on a low D-flat in the bass, which no harmony can dislodge.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
ChopinRondo à la mazur, Op. 5
ChopinMazurka in A minor, Op. 68 No. 2
ChopinNocturne in E minor, Op. 72 No. 1
ChopinVariations on 'La ci darem la mano', Op. 2
ChopinEtude in A-flat major, Op. 10 No. 10
ChopinEtude in F major, Op. 10 No. 8
ChopinWaltz in B minor, Op. 69 No. 2
ChopinEtude in A minor, Op. 10 No. 2
ChopinEtude in C major, Op. 10 No. 1
ChopinEtude in E-flat minor, Op. 10 No. 6Path 09
Eight short pieces from Schubert to Brahms, each holding one mood.
Schubert → Mendelssohn → Chopin → Schumann → Liszt → Rachmaninoff → Brahms
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