Path 11
Variations and fugue
Two ways of making much from little: a theme changed again and again, and a subject passed from voice to voice.
Bach → Mozart → Beethoven → Mendelssohn → Brahms → Elgar
This guide follows Mozart’s 12 Variations on 'Ah vous dirai-je, Maman', K. 265 (1782) in one part (theme and variations).
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Follow all 13 sections as they play
The is a simple tune in three eight- phrases. The variations then follow one after another, each roughly 24 long: 1, then 2, and so on. Listen for the tune hiding inside new figures. 8 is the only one in C minor. 11 slows to an , and 12 is a quick in triple that ends with a short .
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
MozartSonata for Two Pianos in D major, K. 448
MozartFantasia in D minor, K. 397
MozartFantasia in C minor, K. 475
MozartRondo in A minor, K. 511
MozartExsultate, jubilate, K. 165
MozartViolin Concerto No. 1 in B-flat major, K. 207
MozartBassoon Concerto in B-flat major, K. 191
MozartPiano Sonata No. 1 in C major, K. 279
MozartPiano Sonata No. 2 in F major, K. 280
MozartPiano Sonata No. 3 in B-flat major, K. 281
BachPassacaglia and Fugue in C minor, BWV 582Free
HaydnString Quartet in D major, Op. 20 No. 4
HaydnString Quartet in E-flat major, Op. 33 No. 2
HaydnString Quartet in G major, Op. 33 No. 5
HaydnSymphony No. 81 in G major, Hob. I:81
HaydnSymphony No. 82 in C major, Hob. I:82
HaydnSymphony No. 88 in G major, Hob. I:88
HaydnPiano Sonata in C major, Hob. XVI:48
HaydnPiano Sonata in E-flat major, Hob. XVI:49
HaydnSymphony No. 94 in G major, Hob. I:94Path 11
Two ways of making much from little: a theme changed again and again, and a subject passed from voice to voice.
Bach → Mozart → Beethoven → Mendelssohn → Brahms → Elgar
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