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String Quartet No. 12 in F major, Op. 96 / B. 179

“American”189323 min

This guide follows Dvořák’s String Quartet No. 12 in F major, Op. 96 / B. 179 “American” (1893) in four parts: Allegro ma non troppo (sonata form), Lento, Molto vivace and Vivace ma non troppo.

Recording: Dover Quartet (2024)

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Follow all 26 sections as they play

  1. I · Sonata form
  2. II
  3. III
  4. IV
I Sonata form0:06–6:41

The viola begins alone with the main tune, built on a pentatonic scale, over a held F major chord from the others. A in A minor follows, with plucked cello below, and then a calmer in A major. The short works on pieces of the main tune and ends in a , where the voices enter one after another. The adds a new passage, and the ends quietly.

  1. / connective material
II6:50–13:06
III 13:58–17:45
IV 17:57–23:11

Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.

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Path 01

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Path 05

The string quartet, 1772 to 1960

Four players across almost two centuries: Haydn shapes the conversation, Bartók breaks it open, Shostakovich turns it inward.

Haydn → Mozart → Schubert → Beethoven → Dvořák → Debussy → Reger → Bartók → Shostakovich

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Path 06

Fifteen kinds of work

One work for each kind in the catalog, from the symphony to choral music.

Beethoven → Vivaldi → Debussy → Holst → Dvořák → Mozart → Chopin → Scarlatti → Bach → Schubert → Strauss → Handel

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In the catalog

Antonín DvořákString quartetsRomantic periodF majorSonata form

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