Funérailles, S. 173/7
This guide follows Liszt’s Funérailles, S. 173/7 (1849) in one part.
Premium
Follow all 8 sections as they play
Funérailles0:02–10:42
The is slow and dark, with bell-like chords and heavy tremolos, and trumpet-like calls lead to the first (a short passage). A is the in F minor. B brings the 'lagrimoso' (tearful) melody in A-flat major. C is the heroic over (constantly repeated) octaves in the bass. After a second the , and the recalls the themes before breaking off into quiet, very short (staccatissimo) chords.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
More by Liszt
See all →
LisztSonetto 104 del Petrarca, S. 161/5
LisztHungarian Rhapsody No. 2 in C-sharp minor, S. 244/2
LisztHungarian Rhapsody No. 6 in D-flat major, S. 244/6
LisztHungarian Rhapsody No. 12 in C-sharp minor, S. 244/12
LisztSposalizio, S. 161/1
LisztConsolation No. 3 in D-flat major, S. 172 No. 3
LisztLiebestraum No. 3 in A-flat major, S. 541 No. 3 / R. 211
LisztGrandes études de Paganini No. 6 in A minor, S. 141/6
LisztLa campanella (Grandes études de Paganini No. 3 in G-sharp minor), S. 141/3
LisztTranscendental Etude No. 4 in D minor, S. 139/4
Reviews