Path 12
Romantic piano
Eleven short pieces from Field to Grieg, each holding one mood.
Field → Schubert → Mendelssohn → Chopin → Schumann → Liszt → Tchaikovsky → Rachmaninoff → Brahms → Grieg
This guide follows Liszt’s Liebestraum No. 3 in A-flat major, S. 541 No. 3 / R. 211 (1850) in one part.
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Follow all 4 sections as they play
Four sections follow one another, divided by brief cadenzas. Section I presents the song-like melody over a gentle accompaniment. Section II, marked , moves a little faster. Section III is the section, marked ' ' (always pressing forward), where the melody is heard in octaves and then in arpeggios. Section IV to the opening and brings the piece to its .
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
LisztSonetto 104 del Petrarca, S. 161/5
LisztHungarian Rhapsody No. 2 in C-sharp minor, S. 244/2
LisztHungarian Rhapsody No. 6 in D-flat major, S. 244/6
LisztHungarian Rhapsody No. 12 in C-sharp minor, S. 244/12
LisztFunérailles, S. 173/7
LisztSposalizio, S. 161/1
LisztConsolation No. 3 in D-flat major, S. 172 No. 3
LisztGrandes études de Paganini No. 6 in A minor, S. 141/6
LisztLa campanella (Grandes études de Paganini No. 3 in G-sharp minor), S. 141/3
LisztTranscendental Etude No. 4 in D minor, S. 139/4Path 12
Eleven short pieces from Field to Grieg, each holding one mood.
Field → Schubert → Mendelssohn → Chopin → Schumann → Liszt → Tchaikovsky → Rachmaninoff → Brahms → Grieg
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