Path 23
Mahler, Bruckner and Strauss
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
This guide follows Strauss’s Ein Heldenleben, Op. 40 (1898) in one part.
The hero's wide, leaping opens the work in the horns and low strings. His critics then enter as squeaking, mocking woodwinds, and the companion's section begins with a violin, which opens with a and grows into a love duet. Trumpet calls lead through a into the battle. The works of peace quote Strauss's earlier pieces. The retreat from the world comes last and ends in a gentle E-flat major.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
StraussDon Juan, Op. 20
StraussTod und Verklärung (Death and Transfiguration), Op. 24
StraussTill Eulenspiegels lustige Streiche, Op. 28
StraussMetamorphosen, TrV 290
StraussSerenade for Winds in E-flat major, Op. 7
StraussHorn Concerto No. 1 in E-flat major, Op. 11
StraussBurleske in D minor, TrV 145
StraussHorn Concerto No. 2 in E-flat major, TrV 283
StraussFour Last Songs, TrV 296Path 23
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
Reviews