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Symphony No. 1 in D major

188854 min

This guide follows Mahler’s Symphony No. 1 in D major (1888) in four parts: Langsam, schleppend (sonata form), Kräftig bewegt (minuet and trio), Feierlich und gemessen and Sturmisch bewegt.

Recording: Wiener Philharmoniker, Leonard Bernstein (1974)

I Langsam, schleppend · Sonata form · 6 sections

  1. I, · Sonata form
  2. II · Minuet and trio
  3. III
  4. IVSturmisch
I, Sonata form0:35–15:53

, (slow, dragging). A held A in the strings opens the , with a falling two-note idea in the winds. Fanfares from clarinets and offstage trumpets, a horn melody and a cuckoo-like call interrupt it. The starts with the in the cellos, a falling fourth taken from the Wayfarer song, and a follows. The wanders through many keys. The brings back the horn , and then a humorous starts.

II Minuet and trio16:06–24:41

(strongly moving). A heavy, stamping whose outlines an A major chord. A second idea (B) is related to the melody of Blumine, now in 3/4 instead of 6/8. The , the smoother and more lyrical follows, and the comes back after it, shortened and more heavily orchestrated.

  1. A
  2. B
  3. A
  4. A
III 25:07–35:06

(solemn and measured). A built on the round 'Frère Jacques' (Mahler calls it 'Bruder Martin') turned into the minor. A double bass starts the tune, then bassoon, tuba and finally the whole orchestra, with an oboe . Then a band-like tune with cymbals and bass drum breaks in (B); it is often called klezmer, though one article suggests Czech folk music. Later a gentler G major tune from the Wayfarer song 'Die zwei blauen Augen' appears (C). The twice (A1 and A2), and the ends with alternating fourths in the low strings.

  1. A
  2. B
  3. A1
  4. C
  5. A2
  6. B1
IVSturmisch 35:17–54:18

(stormily agitated). A cymbal crash, a loud woodwind chord and a open the . The then begins, and a lyrical in the strings follows. The is long and loud and quotes the first at its slow . The begins with the , then the . A breakthrough to D major and a victory lead to the , where the score has the horns stand for the final .

  1. 1st
  2. brass-
  3. : Part I
  4. : victorious-
  5. : Part II
  6. : victorious +
  7. : slow
  8. / : +
  9. / :
  10. / : intensification
  11. / : breakthrough / victorious +

Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.

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In the catalog

Gustav MahlerSymphoniesLate Romantic periodD majorSonata formMinuet and trio

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