Path 07
Ten minutes or less
Short, complete works for a single sitting.
Bach → Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Saint-Saëns → Sibelius → Ravel → Debussy → Gershwin → Copland
This guide follows Bach’s Fantasia and Fugue in C minor, BWV 537 (1717) in one part (fugue).
A followed by a fugue. In the mournful the two ideas, labelled A and B, trade places: A opens it and comes back later, with B in between. The energetic fugue is driven on by growing harmony and the pedal, and its middle part brings two new themes, a slow one in half notes and a busy one in eighth notes. Then the opening fugue in shortened form, with an and a final section (Fugue: B), and the piece ends in a minor .
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
BachToccata and Fugue in D minor, BWV 565
BachPassacaglia and Fugue in C minor, BWV 582Free
BachTrio Sonata No. 1 in E-flat major, BWV 525
BachPrelude and Fugue in B minor, BWV 544
BachBrandenburg Concerto No. 2 in F major, BWV 1047
BachBrandenburg Concerto No. 6 in B-flat major, BWV 1051
BachBrandenburg Concerto No. 4 in G major, BWV 1049
BachChromatic Fantasia and Fugue in D minor, BWV 903
BachBrandenburg Concerto No. 1 in F major, BWV 1046
BachBrandenburg Concerto No. 5 in D major, BWV 1050Free
BachThe Well-Tempered Clavier, Book I, BWV 846-869
BachPrelude and Fugue No. 1 in C major (WTC II), BWV 870
BachFugue in C minor (WTC 2 No. 2), BWV 871
BachFugue in E minor (WTC 2 No. 10), BWV 879
BachFugue in G major (WTC 2 No. 15), BWV 884
BachPrelude and Fugue No. 9 in E major (WTC II), BWV 878
BachPrelude and Fugue No. 11 in F major (WTC II), BWV 880
BachPrelude and Fugue No. 14 in F-sharp minor (WTC II), BWV 883
BachPrelude and Fugue No. 16 in G minor (WTC II), BWV 885
BachFugue in A minor (WTC 2 No. 20), BWV 889Path 07
Short, complete works for a single sitting.
Bach → Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Saint-Saëns → Sibelius → Ravel → Debussy → Gershwin → Copland
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