Path 12
Paris around 1900
Fauré, Satie, Debussy, Dukas and Ravel, from 1887 to 1920.
Fauré → Satie → Debussy → Dukas → Ravel
This guide follows Debussy’s Prélude I/10: La Cathédrale engloutie, L. 117 No. 10 (1910) in one part.
Premium
Follow all 9 sections as they play
Hushed block chords in parallel fifths and fourths open the piece, with a repeated E in octaves like a bell, and then the enters. At the Emergence, marked “little by little emerging from the fog”, the cathedral rises, and a builds to the , fortissimo organ chords in C major. The music ebbs in the Submergence, the , and the comes back quietly, like an echo, in the final thematic . The mirrors the opening and ends on a C major chord with an added second.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
DebussyRêverie, L. 68
DebussyArabesque No. 1 in E major, CD 74/1; L. 66/1
DebussyDeuxième Arabesque in G major, L. 66 No. 2
DebussyPour le piano, L. 95
DebussyEstampes, L. 100
DebussyL’Isle joyeuse, L. 106
DebussyImages, Book I, L. 110
DebussySuite bergamasque, L. 75
DebussyImages, Book II, L. 111
DebussyChildren's Corner, L. 113Path 12
Fauré, Satie, Debussy, Dukas and Ravel, from 1887 to 1920.
Fauré → Satie → Debussy → Dukas → Ravel
Reviews