This guide follows Debussy’s String Quartet in G minor, Op. 10, L. 85 (1893) in four parts: Animé et très décidé (sonata form), Assez vif et bien rythmé, Andantino, doucement expressif and Très modéré – En animant peu à peu – Très mouvementé et avec passion.
Premium
Follow all 21 sections as they play
et (animated and very decided). The First is the earthy, firmly controlled that in later movements, in G minor with Phrygian colour. A follows, and then the offers a light, airy melody over a breezy accompaniment. The reworks these ideas, the follows with the again, and then the begins.
Section boundaries in music are not always sharp; a transition may be felt over a pause or a held chord.
DebussyAriettes oubliées, L. 60DebussyRêverie, L. 68DebussyArabesque No. 1 in E major, CD 74/1; L. 66/1DebussyDeuxième Arabesque in G major, L. 66 No. 2DebussyFêtes galantes, première série, L. 80DebussyPrélude à l’après-midi d’un faune, L. 86DebussyTrois Nocturnes, L. 91DebussyPour le piano, L. 95DebussyEstampes, L. 100DebussyDanse sacrée et danse profane, L. 103
BachTrio Sonata No. 1 in E-flat major, BWV 525
HaydnSymphony No. 1 in D major, Hob. I:1HaydnHorn Concerto in D major, Hob. VIId:3HaydnPiano Sonata in A-flat major, Hob. XVI:46HaydnPiano Sonata in C minor, Hob. XVI:20HaydnString Quartet in A major, Op. 20 No. 6HaydnString Quartet in C major, Op. 20 No. 2HaydnString Quartet in D major, Op. 20 No. 4HaydnString Quartet in E-flat major, Op. 20 No. 1HaydnString Quartet in F minor, Op. 20 No. 5Path 05
Four players across almost two centuries: Haydn shapes the conversation, Bartók breaks it open, Shostakovich turns it inward.
Haydn → Mozart → Schubert → Beethoven → Dvořák → Debussy → Reger → Bartók → Shostakovich
Reviews