Path 01
Start here
Ten well-known works to learn the map on, each open in full to everyone.
Pachelbel → Bach → Vivaldi → Mozart → Beethoven → Schubert → Chopin → Dvořák → Debussy
Listening paths · Path 16
Russian voices
From Glinka to Shostakovich: a century of Russian music, in the order it was written.
Russian composers found a sound of their own in the nineteenth century, drawing on folk song, Orthodox chant and the colours of the East. Glinka showed the way; Balakirev, Mussorgsky, Borodin and Rimsky-Korsakov, part of the group known as the Five, built on him; Tchaikovsky and Rachmaninoff carried the heritage into the symphony and the concerto, and Prokofiev and Shostakovich into the Soviet years.
GlinkaRuslan and Lyudmila OvertureThe overture to Glinka's fairy-tale opera after Pushkin: a brisk sonata form whose coda brings a descending whole-tone scale in the basses.
BalakirevIslamey, Op. 18An oriental fantasy on a dance tune from the Caucasus: a fierce opening dance, a songlike theme varied three times, and a coda marked Presto furioso.
MussorgskyPictures at an ExhibitionPiano pictures from a memorial exhibition for Mussorgsky's friend Viktor Hartmann, from an old castle to the Great Gate of Kiev.
BorodinSymphony No. 2 in B minorBorodin was a chemist who composed in the time left over. The first theme, built on major and minor thirds, shapes the whole symphony.
Rimsky-KorsakovScheherazade, Op. 35The storyteller of the Arabian Nights speaks through a solo violin, and the Sultan through the stern theme that opens the work.
TchaikovskySymphony No. 6 in B minor, Op. 74Tchaikovsky's last symphony ends not with a fast finale but with a slow Adagio lamentoso, and its second movement is a waltz with five beats to the bar.
RachmaninoffPiano Concerto No. 2 in C minor, Op. 18Written after three years in which he could hardly compose, and dedicated to the doctor whose treatment helped him back.
ScriabinPiano Sonata No. 5, Op. 53Written in about six days, his first sonata in a single movement: wild, languid and ecstatic by turns.
ProkofievSymphony No. 1 in D major, Op. 25Prokofiev imagined how Haydn might write if he were alive in 1917. The finale has no minor chords at all.
ShostakovichSymphony No. 5 in D minor, Op. 47Written after an official attack on his music. In the coda the strings repeat the note A again and again over pounding drums, and listeners have long argued over what that triumph means.
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Path 02
Symphonies everyone should know
Twelve symphonies from Mozart's Fortieth to Shostakovich's Fifth, the core of the concert repertoire.
Mozart → Haydn → Beethoven → Schubert → Berlioz → Mendelssohn → Brahms → Mahler → Tchaikovsky → Dvořák → Shostakovich
Path 03
Calm classical music
Twelve slow, quiet pieces, from Chopin's lullaby to Pärt's Fratres.
Chopin → Liszt → Wagner → Debussy → Massenet → Fauré → Grainger → Delius → Williams → Rachmaninoff → Pärt
Path 04
Baroque essentials
Ground bass, ritornello, fugue and dance: the Baroque in twelve works, from Purcell to Bach's Musical Offering.
Purcell → Pachelbel → Bach → Vivaldi → Handel → Scarlatti
Path 05
Understanding sonata form
The form behind most first movements, heard twelve times, from a small sonata to a symphony.
Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Brahms → Prokofiev
Path 06
Haydn in London
Haydn's two London visits, 1791–95: six of the symphonies he wrote there, three piano sonatas, and what he took home to Vienna.
Haydn
Path 07
Ten minutes or less
Short, complete works for a single sitting.
Bach → Mozart → Haydn → Beethoven → Schubert → Mendelssohn → Saint-Saëns → Sibelius → Ravel → Debussy → Gershwin → Copland
Path 08
The string quartet, 1772 to 1960
Four players across almost two centuries: Haydn shapes the conversation, Bartók breaks it open, Shostakovich turns it inward.
Haydn → Mozart → Schubert → Beethoven → Dvořák → Debussy → Reger → Bartók → Shostakovich
Path 09
Fifteen kinds of work
One work for each kind in the catalog, from the symphony to choral music.
Beethoven → Vivaldi → Debussy → Holst → Dvořák → Mozart → Chopin → Scarlatti → Bach → Schubert → Strauss → Handel
Path 10
Beethoven's nine symphonies
From the First of 1800 to the Choral of 1824, in the order Beethoven wrote them.
Beethoven
Path 11
The concerto, 1721 to 1959
Soloist and orchestra across two and a half centuries, from Bach's harpsichord to Rostropovich's cello.
Bach → Vivaldi → Mozart → Beethoven → Mendelssohn → Tchaikovsky → Dvořák → Rachmaninoff → Ravel → Shostakovich
Path 12
Romantic piano
Eleven short pieces from Field to Grieg, each holding one mood.
Field → Schubert → Mendelssohn → Chopin → Schumann → Liszt → Tchaikovsky → Rachmaninoff → Brahms → Grieg
Path 13
The art song, from Schubert to Strauss
A poem, a voice and a piano, later an orchestra: from Schubert's first masterpieces to Strauss's last songs.
Schubert → Schumann → Wagner → Mahler → Debussy → Fauré → Strauss
Path 14
Variations and fugue
Two ways of making much from little: a theme changed again and again, and a subject passed from voice to voice.
Bach → Mozart → Haydn → Beethoven → Mendelssohn → Brahms → Elgar
Path 15
Paris around 1900
Fauré, Satie, Debussy, Chausson, Dukas and Ravel, from 1887 to 1920.
Fauré → Satie → Debussy → Chausson → Dukas → Ravel
Path 17
Chopin's piano music
Nocturne, étude, mazurka, scherzo, ballade, polonaise, waltz: Chopin's genres in twelve works, in the order he wrote them.
Chopin
Path 18
Essential Mozart
Mozart in twelve works, from a motet written at sixteen to the Requiem he left unfinished.
Mozart
Path 19
Essential Brahms
Brahms in twelve works, from the First Piano Concerto to the last of his piano pieces.
Brahms
Path 20
The piano sonata, from Mozart to Prokofiev
Twelve piano sonatas from Mozart and Haydn to Prokofiev's war sonata of 1942.
Mozart → Haydn → Beethoven → Schubert → Chopin → Liszt → Berg → Bartók → Prokofiev
Path 21
Debussy and Ravel
Two French composers side by side, often compared and often confused, from 1891 to Boléro in 1928.
Debussy → Ravel
Path 22
Romantic violin concertos
Ten violin concertos, from Beethoven's of 1806 to Sibelius's of 1904.
Beethoven → Paganini → Mendelssohn → Wieniawski → Bruch → Lalo → Brahms → Tchaikovsky → Dvořák → Sibelius
Path 23
Mahler, Bruckner and Strauss
The late Romantic orchestra at its largest: Bruckner's and Mahler's symphonies and Strauss's tone poems, 1880 to 1945.
Bruckner → Mahler → Strauss
Path 24
Music of the nations
Folk songs, dances and landscapes, from Liszt's Hungary to Márquez's Mexico.
Liszt → Smetana → Grieg → Albéniz → Dvořák → Sibelius → Elgar → Williams → Janáček → Villa-Lobos → Rodrigo → Márquez
Path 25
Choral masterpieces
Choirs from Handel's coronation anthem to Ligeti's cloud of voices: masses, requiems and psalms, 1727 to 1966.
Handel → Mozart → Brahms → Verdi → Fauré → Orff → Messiaen → Bernstein → Ligeti
Path 26
Famous overtures
Twelve overtures from Mozart's Figaro to Bernstein's Candide, each a complete piece in a few minutes.
Mozart → Beethoven → Rossini → Weber → Mendelssohn → Wagner → Berlioz → Offenbach → Brahms → Tchaikovsky → Bernstein
Path 27
20th-century classical music
Twelve directions the century took, from Schoenberg's Verklärte Nacht of 1899 to Piazzolla's tango of 1982.
Schoenberg → Ives → Bartók → Holst → Gershwin → Barber → Prokofiev → Copland → Ligeti → Górecki → Piazzolla